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Dive into the research topics where Robert Rawson is active. These topic labels come from the works of this person. Together they form a unique fingerprint.
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‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
Rawson, R., Feb 2023, In: Early Music. 51, 1, p. 126–134Research output: Contribution to journal › Article › peer-review
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‘After the Italian manner’—Finger, Pepusch and the first concertos in England
Rawson, R., Jun 2020, Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden. Boydell and Brewer, p. 108–136Research output: Chapter in Book/Report/Conference proceeding › Chapter
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"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R., 1 Aug 2018, In: Historical Performance. 1, 1, p. 119-147Research output: Contribution to journal › Article › peer-review
Open AccessFile -
Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R., 2017, Music and the Benefit Performance in Eighteenth Century Britain. Cambridge University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016
Rawson, R., Music, O. & Ramée, 9 Sept 2016Research output: Non-textual form › Digital or Visual Products
Open AccessFile