Abstract
This chapter explores how music, movement and imagery contribute to the development of linguistic and pedagogical skills, drawing on North Indian Classical music as a case study of oral transmission. It highlights how metaphors, physical gestures, and visual representations shape the teaching and learning of music and across disciplines. Through a discussion of tālīm (oral transmission), the chapter examines how improvisation skills are developed through listening, repetition and embodied practice. It considers how rāgamala paintings serve as mnemonic tools, bridging sound and visual representation. The chapter also presents language-based challenges and pedagogical examples that illustrate the key role played by improvisation in developing communicative competences in the performing arts. By situating these ideas within broader educational contexts, the chapter reflects on how teachers from all subject specialisms engage with multiple modes of communication. It argues that effective teaching is inherently multilingual, incorporating verbal, visual and embodied forms of expression. The chapter concludes by considering the implications for educators working with diverse learners, emphasising the role of the arts in fostering inclusion, creativity and interdisciplinary learning.
| Original language | English |
|---|---|
| Title of host publication | Unlocking the Linguistic Potential of Teachers Insights from International Teacher Education Programmes |
| Publisher | Routledge |
| ISBN (Print) | 9781041022077 |
| Publication status | Published - 30 Mar 2026 |
Keywords
- Creativity
- Embodiment
- Inclusion
- Interdisciplinarity
- Multimodality
- Orality
Fingerprint
Dive into the research topics of '2.4 Learning languages of sound: Case study of improvisation in the performing arts'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver