A performance in two halves

Panos Ghikas

A performance in two halves

Panos Ghikas

Research output: Non-textual form › Performance

Abstract

2 day residency and performance at Sonic Arts Centre (Univ. of Belfast), as part of the Sonorities Festival. Panos Ghikas, Wobbly (Jon Leidecker) and Jennifer Walshe join forces for a performance in two halves. In the first half, the trio explore the outer limits of digital sound, text and time, cybernauts journeying through a landscape scattered with defunct and cutting-edge technology, quotes from inspirational speeches given by tech billionaires and sonic detritus ranging from Machine Learning research to Buntús Cainte recordings.

The second half features a screening of Caoimhín Breathnach’s AN GLÉACHT, with a live score.

Original language	English
Publisher	Queen's University, Belfast
Publication status	Published - 10 Apr 2024

Keywords

Improvisation
Audiovisual performance
AI
Music technology

Cite this

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N2 - 2 day residency and performance at Sonic Arts Centre (Univ. of Belfast), as part of the Sonorities Festival. Panos Ghikas, Wobbly (Jon Leidecker) and Jennifer Walshe join forces for a performance in two halves. In the first half, the trio explore the outer limits of digital sound, text and time, cybernauts journeying through a landscape scattered with defunct and cutting-edge technology, quotes from inspirational speeches given by tech billionaires and sonic detritus ranging from Machine Learning research to Buntús Cainte recordings. The second half features a screening of Caoimhín Breathnach’s AN GLÉACHT, with a live score.

AB - 2 day residency and performance at Sonic Arts Centre (Univ. of Belfast), as part of the Sonorities Festival. Panos Ghikas, Wobbly (Jon Leidecker) and Jennifer Walshe join forces for a performance in two halves. In the first half, the trio explore the outer limits of digital sound, text and time, cybernauts journeying through a landscape scattered with defunct and cutting-edge technology, quotes from inspirational speeches given by tech billionaires and sonic detritus ranging from Machine Learning research to Buntús Cainte recordings. The second half features a screening of Caoimhín Breathnach’s AN GLÉACHT, with a live score.

KW - Improvisation

KW - Audiovisual performance

KW - AI

KW - Music technology

UR - https://www.youtube.com/watch

M3 - Performance

PB - Queen's University, Belfast

ER -

A performance in two halves

Abstract

Keywords

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