Abstract
Intense preoccupation with the intersection of gender, class codes and critical interiority is a notable feature of early twentieth-century literary culture. But it was already visible in the proto-New Woman writing that emerged as a new and distinct approach in the 1880s, gaining traction as it entered mainstream and popular culture by the 1890s. These novels, plays and stories, often written by women themselves to explore their own experience and protest against social conditions, constitute an important stage in pre-First World War feminism. Victorian debates about what it means to be a woman continue to inflect writing by twentieth-century authors...
| Original language | English |
|---|---|
| Title of host publication | New Readings of Elizabeth von Arnim: The Unexpected Modernist |
| Publisher | Edinburgh University Press |
| Pages | 164-175 |
| ISBN (Print) | 9781399531412, 9781399531443, 9781399531436 |
| Publication status | Published - Jun 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
Keywords
- Early twentieth century writers
- Elizabeth von Arnim
- Victorian women writers
- Women writers
Fingerprint
Dive into the research topics of 'Catching up with the Victorians in The Caravaners and The Enchanted April'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver