Abstract
Collections of country dance tunes and their accompanying steps, which were churned out each year by early-nineteenth-century British music publishers, routinely included dances named after contemporary military figures and events. While previous scholarship has recognized popular songs of the Napoleonic Wars as being important markers of political sentiments amongst wider British society, commemorative dances have not yet been subject to in-depth investigation.
This essay explores parallels between commemorative dances and contemporary popular songs in their commentary on the Napoleonic Wars (particularly Waterloo), and considers how such dances contributed to shaping peoples’ responses, evocations and memories of war.
This essay explores parallels between commemorative dances and contemporary popular songs in their commentary on the Napoleonic Wars (particularly Waterloo), and considers how such dances contributed to shaping peoples’ responses, evocations and memories of war.
| Original language | English |
|---|---|
| Title of host publication | Napoleon's Hundred Days and the Politics of Legitimacy:War, Culture and Society, 1750-1850 |
| Publisher | Palgrave Macmillan |
| Pages | 209-232 |
| ISBN (Print) | 9783319702070 |
| Publication status | Published - 19 Mar 2018 |
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