/’(H)WETH: VOICE – BREATH – BODY – FORM/S

Lauren Redhead

/’(H)WETH: VOICE – BREATH – BODY – FORM/S

Lauren Redhead

Research output: Contribution to journal › Article › peer-review

Abstract

/’(h)weTH is a collaborative work of visual and sound art produced by R. Armstrong (USA) and Lauren Redhead (UK). The work combines an installation, two video projections, four channel sound, and an optional solo performance part, in order to create an experience that is simultaneously aural and visual, in all of its elements. This article sets out to further explore the main themes of the work, by means of a dialogue between the voices of the two artists. In doing so, it also facilitates a discussion of how /’(h)weTH might contribute to an understanding of the materiality of sound art, and the boundaries between visual art, sound art, and music.

Original language	English
Pages (from-to)	155-167
Journal	New Sound
Volume	46
Publication status	Published - 2015

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abstract = "/{\textquoteright}(h)weTH is a collaborative work of visual and sound art produced by R. Armstrong (USA) and Lauren Redhead (UK). The work combines an installation, two video projections, four channel sound, and an optional solo performance part, in order to create an experience that is simultaneously aural and visual, in all of its elements. This article sets out to further explore the main themes of the work, by means of a dialogue between the voices of the two artists. In doing so, it also facilitates a discussion of how /{\textquoteright}(h)weTH might contribute to an understanding of the materiality of sound art, and the boundaries between visual art, sound art, and music.",

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AB - /’(h)weTH is a collaborative work of visual and sound art produced by R. Armstrong (USA) and Lauren Redhead (UK). The work combines an installation, two video projections, four channel sound, and an optional solo performance part, in order to create an experience that is simultaneously aural and visual, in all of its elements. This article sets out to further explore the main themes of the work, by means of a dialogue between the voices of the two artists. In doing so, it also facilitates a discussion of how /’(h)weTH might contribute to an understanding of the materiality of sound art, and the boundaries between visual art, sound art, and music.

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ER -

/’(H)WETH: VOICE – BREATH – BODY – FORM/S

Abstract

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