Incarnation: no blacks, no Irish, no dogs

R. Beckford; Mandisa Gordon; T. Bean

Incarnation: no blacks, no Irish, no dogs

R. Beckford
, Mandisa Gordon
, T. Bean

Research output: Non-textual form › Digital or Visual Products

Abstract

This music film explores the intersection of incarnational theology, post-war immigration from the Caribbean, and the recent deaths of black people in police custody. The track argues that central to racialised oppression in Britain is an unresolved theology of incarnation, which has lethal consequences for citizens racialised as black.

Original language	English
Publisher	5 AM Records
Publication status	Published - 6 Jan 2016

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 10 Reduced Inequalities

Cite this

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N2 - This music film explores the intersection of incarnational theology, post-war immigration from the Caribbean, and the recent deaths of black people in police custody. The track argues that central to racialised oppression in Britain is an unresolved theology of incarnation, which has lethal consequences for citizens racialised as black.

AB - This music film explores the intersection of incarnational theology, post-war immigration from the Caribbean, and the recent deaths of black people in police custody. The track argues that central to racialised oppression in Britain is an unresolved theology of incarnation, which has lethal consequences for citizens racialised as black.

UR - https://www.canterbury.ac.uk/arts-and-humanities/school-of-humanities/religion-philosophy-and-ethics/research/jamaican-bible-remix.aspx

M3 - Digital or Visual Products

PB - 5 AM Records

ER -

Incarnation: no blacks, no Irish, no dogs

Abstract

UN SDGs

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