Abstract
The Czech Surrealist Jan Svankmajer began his career as a puppeteer in Prague. His use of the puppet as a bridge between live action and stop-motion animation dominate his feature films and shorts. This paper explores his interest in the Czech marionette tradition combined with the myth of the Kabbalistic animation of the Golem; both part of the culture and folklore of Prague. For Svankmajer, animation is not merely a special effect but a tangible metaphor for manipulation.
| Original language | English |
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| Publication status | Published - 2015 |
| Event | 'Beyond the Frame' The Society for Animation Studies 27th Annual Conference - Duration: 1 Jul 2015 → … |
Conference
| Conference | 'Beyond the Frame' The Society for Animation Studies 27th Annual Conference |
|---|---|
| Period | 1/07/15 → … |
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