Making autism through Ocean Heaven (海洋天堂, Haiyang tiantang) and the possibilities of realizing disability differently

This article focuses on a filmic portrayal of issues relating to autism in a Chinese context, using this as a prism through which to consider how meanings associated with disability in general, and the autistic spectrum in particular, are produced. Instead of perpetuating a reductive positive/negative approach to representation, the article focuses on the fluid and dynamic ways in which author and audience co-produce texts relating to disability in ways which are invariably influenced by, and reproducing of, specific socio-cultural and discursive circumstances. Meaning-making in relation to disability is, however, ongoing and there is potential to realize disability differently.