Abstract
Motion comics can be considered as an emerging form of digital animation that typically appropriates and remediates an existing comic book narrative and artwork into a screen-based animated narrative. One such example of motion comic adaptation is The Watchmen, which was released on DVD and is also available on the iTunes online store as a digital download. This article argues that this new hybrid media raises unique considerations in terms of adaptation, and therefore provides a brief summary of key debates in adaptation studies, with a particular emphasis on the issue of authenticity. This is followed by a study of conventional adaptation practices from a comic book source and the emerging digital post-production approaches of animators and creative practitioners in the motion comic field, including a discussion on the importance of sound.
| Original language | English |
|---|---|
| Pages (from-to) | 357-378 |
| Journal | Animation Practice, Process & Production |
| Volume | 1 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Jun 2012 |
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