On the Edge: Embodying the Experiences of Women Sidelined by Patriarchal Society - An Arts-Based Research Exploration Using Music Composition

Abstract

The sidelining of women in patriarchal society ranges from obvious actions to subtle beliefs. In this investigation, I use a unique approach of arts-based research using music composition to contemplate the experiences of women who have been overlooked. Such sidelining occurrences often become hidden within patriarchal societies due to their frequency, leading to their acceptance as a societal norm. Further, my aim goes beyond merely offering alternatives to existing representations of womanhood within a patriarchal society; instead, I aspire to imagine entirely distinct and unique conceptions of womanhood. To help achieve this objective, this research is informed by Deleuzian philosophy and an ensuing post qualitative ontological framework. These perspectives encourage a departure from traditional linear and hierarchical modes of thinking, often associated with patriarchy. Instead, a more interconnected, organic, messy, and dynamic conceptual framework is favoured. Such an approach opens up fresh perspectives on women’s experiences and the generation of novel possibilities of womanhood.
The methods used in this research are multimodal, for instance combining interviews with music composition. An important theme that emerges from this research practice is the concept of rupture, a creative deconstruction of patriarchal sidelining ideologies and practices. The research output comprises a written element and creative music compositions. While these compositions primarily serve as artefacts of the research process, they can also be appreciated as standalone pieces of art. The creative process of composing music provided a space for experimentation and introspection, allowing for a diverse array of creative approaches to the subject matter. As the practice of arts-based research using music composition is relatively rare, this research also aims to supplement the limited existing literature.
Initially, my focus was to explore arts-based research practices and music composition techniques, gathering fragments of knowledge from various sources. The creative space of this practice allowed for the intertwining of artistic processes, philosophy, and research, thus generating fresh perspectives and understanding of the experiences of women on the periphery. The research subject is characteristically complex and dynamic, and as such, needs research perspectives and processes capable of accommodating such intricate complexity and constant change.

Date of Award	2025
Original language	English