Abstract
Sixty percent lyrics in the song "Heroes" (© 1974 Shuna Shelley) have been copyright-infringed since 1977. The practice research investigates how via production of paintings inclusive (by re-appropriation of true authorial entitlement), of song lyric text from genesis – a new and positive affecting presence in sonic iconography could be made to resound.As holder of intellectual property rights' entitlement on 1974 original written version of the song Heroes, and 60% lyrical content published without her permission, (all accreditation to the infringer/singer since 1977) the writer/painter visually returns her name onto her lyrics. Via this project Shuna Gough Taylor has displayed in new paintings her own invented refrain:
Heroes // Don’t go away / / We // We can be Heroes // Just for our day /
plus two verses:
/ I // I will be king // And you // You will be my queen /
/ And I wish // I wish you could swim // Like the dolphins // Like dolphins can swim /.
/ Obliquely we advance // Have taken our stance /
/ We can be Heroes // Just for our day // What d’you say? // Heroes /
The artist has researched through psychology and empirics of exposition of text by promulgation in paintings. Other words by her also are seen in these paintings. It has been a practice research enveloped by the emotions of victimisation counterpointed with feelings of inspiration from, and empathy with, other (heroic) people and has developed in creativity an alternative, visual chemain; through utilization of colour, line, space, texture, montage and form with letters of word, inart-pieces that in re-appropriation, assert true copyright entitlement.
| Date of Award | 2019 |
|---|---|
| Original language | English |
Keywords
- Painting
- 'Heros' lyrics
- Collage
- Montage
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